About these books
This innovative new series delivers original and transformative, peer reviewed, feminist research into the work of leading women writers who were widely read in their time, but who have been under-represented in the canon.
The series offers critical, historical and aesthetic contributions to current literary and theoretical work. Each volume concentrates on one writer.
The first five titles will be published in late 2019 - early 2020.
These will be followed by volumes on:
We welcome suggestions for other titles
The series will interrogate the ways in which women writers, their creative processes and published material can be considered feminist, and explore how recent developments in feminist theory can enrich our understanding of popular women’s lives and literature.
Our authors will rethink established popular writers and their works, and rediscover and re-evaluate authors who have been largely neglected - often since their initial burst of success in their own historical period. This neglect is often due to the exclusivity and insular nature of the canon which has its roots in the Victorian critical drive to perpetuate a division between high and low culture.
In response, our definition of the “popular” is broadly interpreted to encompass women writers who were read by large sections of the public, and who wrote for the mass publishing market. The series therefore challenges this arbitrary divide, creating a new and dynamic dialogue regarding the canon’s expansion by introducing readers to previously under-researched women writers who were nevertheless prolific, known and influential.
Studying the work of these authors can tell us much about women’s writing, creativity and publishing practice, and about how popular fiction intervened in pressing political, social and cultural issues surrounding gender, history and women’s role in society.
This is an important and timely series that is inspired by, interrogates, and speaks to a new wave of feminism, new definitions of sex and gender, and new considerations of inter-sectionality. It also reflects growing interest in popular fiction, as well as a feminist desire to broaden and diversify the literary canon.
Ultimately the series sheds light on women writers whose work deserves greater recognition, facilitates and inspires further research, and paves the way for introducing these key women writers into the canon and modern-day studies.
About the editors
Dr Janine Hatter is an Early Career Researcher based at the University of Hull. Her research interests centre on nineteenth-century literature, art and culture, with particular emphasis on popular fiction. She has published on Mary Braddon, Bram Stoker, the theatre and identity, and Victorian women’s life writing, as well as on her wider research interests of nineteenth to twenty-first century Science Fiction and the Gothic. She has edited several special journal issues: on ‘Werewolves: Studies in Transformations’ for Revenant, ‘Gender in Victorian Popular Fiction, Art and Culture’ with Nineteenth-Century Gender Studies, and ‘Supernatural in the Nineteenth Century’ for Supernatural Studies, as well as three special issues on ‘Age and Gender in Feminist Speculative Fiction’ for Femspec. Janine is conference co-organiser for the Victorian Popular Fiction Association, and co-founded the Mary Elizabeth Braddon Association.
Dr. Helena Ifill teaches English Literature at the University of Sheffield. Her research interests focus on the interactions between Victorian popular fiction, (pseudo)science and medicine. She is co-organiser for the Victorian Popular Fiction Association annual conference and co-director of the Centre for Nineteenth-Century Studies at Sheffield. She has published on Wilkie Collins, Bram Stoker and Victorian mesmerism and is currently completing a monograph on sensation fiction and an article on Mary Elizabeth Braddon. She is co-editor for the special edition of Nineteenth-Century Gender Studies, ‘Gender in Victorian Popular Fiction, Art and Culture’.
A MAJOR NEW SERIES
Key Popular Women Writers
Janine Hatter and Helena Ifill
Edward Everett Root Publishers Co. Ltd.
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