Available November 2019

Edward Everett Root Publishers Co. Ltd.


Irish Women Writers at the Turn of the Twentieth Century 

Alternative Histories, New Narratives

Kathryn Laing and Sinéad Mooney (eds)


EER

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About this book

This major new work on significant but neglected or marginalised late nineteenth-century and early twentieth-century Irish women writers could not be more timely.


This collection presents international research on the work of Irish women writers at the turn of the twentieth century. Discovering new voices and introducing original perspectives on the lives, works and networks of more familiar literary figures, these essays make a key contribution to contemporary feminist recovery projects and remapping the landscape of Irish literature of this period.
 
There is a burgeoning interdisciplinary and international field in which a diverse range of hitherto neglected Irish women writers have been recovered, and their lives, works, networks and other contexts illuminated.  Irish Women Writers at the Turn of the Twentieth Century capitalises on this rich, diverse and innovative field, drawing on new scholarship that develops existing strands of enquiry further. It also opens up new avenues for exploration.
 
The strengths of the work is in its seeking of new engagements specifically in relation to Irish women’s cultural economies, particularly literary networks, access to literary production and publication, the long nineteenth century and emergent modernist aesthetics. A further key concern is the politics of retrieval of lost women’s lives and writings, the relationship of Irish feminist critical projects to the ongoing acts of commemoration associated with the formation of the Irish state, and increasing concerns with the future-proofing of ‘lost’ feminist digital recovery projects of the 1990s.
 
This new collection of original work offers new scholarship about these concerns in late nineteenth-century and early twentieth-century Irish women’s writing. It draws attention to the significant figure of the Irish New Woman, feminism in the archives, vegetarianism and suffrage, anthologies and the canon, literary and publishing networks, digital methodologies, and women’s writing and intellectual journals, newspaper and periodical histories.
 
Waking The Feminists, a movement campaigning for better female representation in the arts was established in Ireland in 2015. The launch of ‘Fired!’, a ‘convergence of practising women poets and academics responding to the publication of The Cambridge Companion to Irish Poets (2017) protested against the exclusion of Irish women poets generally from the literary canon, including many who were popular and prolific during the nineteenth century.
 
Two recently held events – ‘Irish Women Playwrights and Theatremakers’ (2017) and the symposium, “Occluded Narratives: Researching Irish Women’s Writing (2016) - foregrounded the interest in these areas and the plenitude of new research. The present book draws on work first presented at the editors’ symposium, “Occluded Narratives: Researching Irish Women’s Writing (1880-1910)” (May Immaculate College, Limerick 2016) where the Irish Women’s Writers Network was also launched.


CONTENTS:
New Perspectives
Maureen O’Connor, Nation and Nature in the Work of First-Wave Irish Feminists
Seán Hewitt, Emily Lawless: The Child as Natural Historian
 Christopher Cusack, Sunk in the Mainstream: Irish Women Writers and Famine Memory, 1892-1910
Whitney Standlee, ‘Emigrants-Beware!’: M. E. Francis’s The Story of Mary Dunne (1913), White Slavery and the Myth of the Ruined Woman
Lia Mills, A Country of the Mind: Eva Gore-Booth and the Easter Rising, 1916
Kate Louise Mathis,  ‘Dividing many spirits from their peace’: The voices of Deirdre in the poetry and drama of Eva Gore-Booth and Moírín Cheavasa
Julie Anne Stevens, International Relations in the Writing and Artwork of Edith Œ Somerville and Martin Ross
Anne Jamison, ‘Land, Hunting and the Irish New Girl: Edith Somerville’s “Little Red Riding Hood in Kerry”’
Matthew Reznicek, A Thing of Possibilities: The Railroad and Cosmopolitical Belonging in Thurston’s Max
Aintzane Legarreta Mentxaka, ‘Modernist Silence’ in Irish New Woman Fiction
Recoveries
Heidi Hansson, Intellectual Journals and the Irish Women Writer: The Case of the Nineteenth Century 1877-1900
Elke D’hoker, Anglo-Irish Relations in the Short Stories of Ethel Colburn Mayne
Mary Pierse, Rediscovering Elizabeth Priestley:  spirited writer, feminist, and suffragist.
Patrick Maume,  Education, Love, Loneliness, Philanthropy: The Ambivalences of Erminda Rintoul Esler
Lindsay Janssen,  From Special Correspondence to Fiction: Memory and Veracity in Margaret McDougall’s Writings on Ireland
Barry Montgomery, Hannah Berman (1885-1955): Jewish Lithuania and the Irish Literary Revival
Lisa Weihman, Mothers of the Insurrection: Theodosia Hickey’s Easter Week
Nadia Smith, Retrieving Rosamond Jacob’s Early Unpublished Novels
 


About the authors


Dr. Kathryn Laing lectures in the Department of English Language and Literature, Mary Immaculate College, University of Limerick. Her teaching and research interests are principally in late nineteenth-century Irish women’s writing, New Woman fiction, modernist women writers, periodical and print culture. Her co-written literary biography, Hannah Lynch: Irish Writer, Cosmopolitan, New Woman, is forthcoming from Cork University Press. She is the co-organizer and administrator of the Irish Women’s Writing Network. The network features in a recent essay: ‘“Only Connect”: Irish Women’s Voices, Latin America and the Irish Women’s Writing Network’ in a special issue of Irish Migration Studies in Latin America (2018).
 
Dr. Sinéad Mooney is a senior lecturer in English at De Montfort University, Leicester. Her research interests are in modernism, women’s writing, and Irish literature, and she also teaches creative writing. She has published widely on the work of Samuel Beckett and Irish women’s writing, especially the work of Elizabeth Bowen, Edna O’Brien, Molly Keane, and Mary Lavin. Her monograph A Tongue Not Mine: Samuel Beckett and Translation (Oxford University Press, 2011) won the ACIS Robert Prize for Irish Writing. She is currently working on Katherine Cecil Thurston, and on turn-of-the-twentieth-century speculative fiction by Irish women.